Hrůša, Trpčeski & Rachmaninov

Mar 20-22, 2025
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Overview

Shostakovich’s Eleventh Symphony unfolds with the immediacy of a newsreel as it depicts the harrowing events of the 1905 Russian Revolution. Brimming with rebellious anthems and prisoners’ songs, the Cold War-era score is widely heard as a veiled critique of the Soviet regime. Rachmaninov’s First Piano Concerto, a farewell to Russia, features the captivating Simon Trpčeski.

  • Venue
    Symphony Center
  • Price Range
    $39-$299
  • Length
    2 hours
  • Preconcert Conversation
    Laura Sauer-Shah
Schedule
Program
Rachmaninov

Piano Concerto No. 1

Shostakovich

Symphony No. 11 (The Year 1905)

Extras

Enhance your concert experience.

Preconcert Dining

Enhance your concert experience by dining at the Thomas Club, offering a prix fixe menu featuring traditional American fare for a seamless preconcert dining experience. Reservations | Learn more and view the menu


Preconcert Conversation

Explore the music in a free preconcert conversation featuring Laura Sauer-Shah in Orchestra Hall 75 minutes before the performance. The talk will last approximately 30 minutes. No additional tickets are needed.


Postconcert CD Signing

Please join us for a postconcert CD signing with Simon Trpčeski on Saturday, March 22. The signing will take place in the Rotunda and is open to all ticketholders. Merchandise will be available at the Symphony Store and in the Orchestra Hall outer lobby prior to the event.

Sponsors & Partners

These concerts are generously sponsored by Zell Family Foundation.


Discover more on Experience CSO
“The freshness of this piece is just mind-blowing," says Simon Trpčeski of Rachmaninov's First Piano Concerto. "It bursts with so much positivity, and I think we very much need that nowadays."
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Sergei Rachmaninov first appeared with the Chicago Symphony Orchestra in December 1909, conducting his Isle of the Dead and performing as soloist in his Second Piano Concerto.
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Czech conductor Jakub Hrůša is committed to balancing his work between opera and concert stages. Though he loves opera, he finds it "easier to achieve the fantastic quality of what musical achievement can be like on a concert stage."
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