As one of the most admired, accomplished bassists working in jazz today, Larry Grenadier has been praised as “a deeply intuitive” musician by the New York Times and as an instrumentalist with a “fluid sense of melody” by Bass Player magazine.
Grenadier has created an expansive body of work in collaboration with many of the genre’s most inventive, influential musicians — from early days playing with sax icons Joe Henderson and Stan Getz to what has been decades performing alongside pianist Brad Mehldau, from extended experiences working with the likes of Paul Motian and Pat Metheny to co-leading the cooperative trio Fly (with Mark Turner and Jeff Ballard) and quartet Hudson (with John Scofield, John Medeski and Jack DeJohnette). Over a performing and recording career of three decades, it has been not only Grenadier’s instrumental virtuosity and instantly recognizable tone that have made him such an in-demand collaborator but also his uncommon artistic sensitivity, imagination and curiosity.
In 2019, ECM Records released Grenadier’s first album of solo bass. Titled “The Gleaners,” it presents a brace of originals by the bassist alongside pieces by George Gershwin, John Coltrane and Paul Motian, as well as a pair of pieces written especially for Grenadier by guitarist and fellow ECM artist Wolfgang Muthspiel. Grenadier also includes an instrumental interpretation of a song by his wife, and frequent collaborator, the singer-songwriter Rebecca Martin.
Grenadier recorded “The Gleaners” at Avatar Studios in New York City for ECM with Manfred Eicher as producer. Grenadier and Eicher mixed the album at Studios La Buissonne in France.
“The process for making this record began with a look inward, an excavation into the core elements of who I am as a bass player. It was a search for a center of sound and timbre, for the threads of harmony and rhythm that formulate the crux of a musical identity.” said Grenadier. “Manfred planted the seed of making a solo album, and I cultivated it as an artistic challenge.
Manfred is a former bassist, so he understands the instrument and its history, both in jazz and classical. He was important in helping me shape the album.”
Grenadier’s title of “The Gleaners” was inspired by a documentary film from 2000, “The Gleaners and I,” by French director Agnès Varda, who was in turn influenced by the 19th-century painting by Millet called “The Gleaners,” of women harvesting in a field.
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