Pierre-Laurent Aimard, “a brilliant musician and an extraordinary visionary” (The Wall Street Journal), presents an enthralling exploration of the keyboard fantasy. Anchored by four of Mozart’s kaleidoscopic fantasies, Aimard’s program spans the glittering intricacies of Dutch Baroque master Sweelinck, Beethoven’s mercurial Op. 77 and Benjamin’s 1985 Fantasy on Iambic Rhythm.