The Chicago Symphony Orchestra made its venue debut Monday at Dresden's Kulturpalast.
After a two-night stand in Hamburg, Germany, the Chicago Symphony Orchestra headed south to Dresden for the next stop on its European Tour 2025. The concert Monday night at Dresden’s Kulturpalast (Palace of Culture) also marked the CSO’s debut at the venue.
Presented by the Dresdner Musikfestspiele (Dresden Music Festival), one of Europe’s largest and most acclaimed classical music festivals, the concert featured the CSO and conductor Jaap van Zweden in Mahler’s Seventh Symphony, known for its unusual instrumentation, including a mandolin and guitar.
Hailed as a city of culture, Dresden is famous as a classical music hub, with the Semperoper opera house, the Dresden Staatskapelle, the Dresden Philharmonic and the Kreuzchor boys’ choir all based there. The Kulturpalast, which opened in 1969, was built in the International Style, which dominated 19th-century architecture from the 1920s to the 1970s.
Designed by Wolfgang Hänsch when Dresden was part of the German Democratic Republic, the Kulturpalast was the nation’s largest multi-purpose hall when it opened. The building underwent extensive recnovation beginning in 2012 and reopened with a new concert hall in April 2017.
Cinemaphiles might recognize the Kulturpalast from the film “Tár” (2022), which was shot there in part and features musicians from the Dresden Philharmonic.
For the trip to Dresden, CSO musicians boarded a charter flight, which was decked with custom headrest covers saluting Heidi Lukas, the CSO’s director of operations, for her three decades of service. Lukas, who’s making her 55th tour with this trip, has decided to step down after this season.
After Dresden, the CSO moved on to Prague (May 20) in the Czech Republic and Wrocław (May 22-23) in Poland, with a return on May 24 to Chicago.
Heidi Lukas, director of operations, reacts with delighted surprise as she notices the custom headrest covers that salute her 30-plus years at the Chicago Symphony Orchestra.
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Mark Ridenour, assistant principal trumpet, hits the tarmac after the flight from Hamburg.
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CSO stage techs (from left, Todd Snick, Blair Carlson, Paul Christopher, Josh Mondie and Chris Lewis, stage manager) gather around Heidi Lukas, who's making her 55th and last CSO tour.
Before the concert, viola Max Raimi warms up backstage, which is drenched in blue light.
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Guest viola Dana Kelley is an artistic director and member of the Orpheus Chamber Orchestra.
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Rhapsody in blue: Principal Trumpet Esteban Batallán also partakes in a warm-up backstage.
CSO cello Brant Taylor (left) chats with stage tech Todd Snick before the concert.
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Principal Timpani David Herbert flashes the most enigmatic of smiles as he awaits the start of the concert.
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The concert begins as Jaap van Zweden conducts the Chicago Symphony Orchestra in Mahler's Symphony No. 7.
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Mahler's Symphony No. 7 calls for two harps, in this case, CSO's Lynne Turner (right) and guest musician Emily Levin.
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CSO horn Daniel Gingrich has a solo passage as section mates David Griffin (left) and Susanna Gaunt wait their entrances.
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The Kulturpalast is known for its outstanding acoustics; the sound design was devised by famed acoustician Yasuhisa Toyota and the firm Nagata Acoustics.
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CSO percussionists Vadim Karpinos (from left), James Ross and Cynthia Yeh, principal percussion, zoom into view.
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CSO trumpet John Hagstrom (center) takes a two-fisted approach to Mahler while Mark Ridenour, assistant principal trumpet (left) and Esteban Batallán, principal trumpet, go the traditional route.
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Jaap van Zweden displays kinetic energy during his and the CSO's performance of Mahler's Symphony No. 7.
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As his colleagues applaud, Principal Trumpet Esteban Batallán takes a bow as the performance ends.
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Taking a bow, Michael Mulcahy, acting principal trombone, doubles on tenor tuba in the Mahler.
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Mahler's Seventh requires the unusual instrumentation of guitar, played by guest musician Steve Roberts and mandolin, performed by CSO violin Simon Michal
Principal Viola Teng Li (right) receives a bouquet, as viola Catherine Brubaker peers over a stand to admire it.
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At the Kulturpalast, seen from the rear, the Chicago Symphony Orchestra, stands for a bow.
Jaap van Zweden waves goodbye and takes the hand of Concertmaster Robert Chen in an entreaty to follow.
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At night, Dresden twinkles with lights, showcasing its classically styled buildings along the Elbe River, which runs along the border with the Czech Republic.
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After the concert, flute-piccolo Jennifer Gunn speaks with CSOA Trustee Chet Gougis at a reception.
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