125 Moments: 097 Wagner’s Die Meistersinger von Nürnberg

In September 1995, Sir Georg Solti led three concert performances of Wagner’s Die Meistersinger von Nürnberg at Orchestra Hall. The performances were split: the first two acts on one concert and the third act on a separate concert over the course of two open dress rehearsals and four concerts. Principal soloists included Karita Mattila, Iris Vermillion, Ben Heppner, Herbert Lippert, José van Dam, Alan Opie and René Pape, along with the Chicago Symphony Chorus prepared by Duain Wolfe.

“Last weekend you could call the Chicago Symphony Orchestra, without fear of contradiction, the best and most prestigious Wagnerian pit band in the world of opera,” wrote John von Rhein in the Chicago Tribune. “Even as Solti blockbusters go, [these concerts] were an extraordinary experience — painstakingly prepared and powerfully executed. . . . It would be no exaggeration to call this a milestone in Solti’s Wagnerian career to rank with his historic recording of the Ring.”

The subsequent London Records release won the 1997 Grammy Award for Best Opera Recording. The award marked Solti’s 31st Grammy, more than any other recording artist in any genre. He received seven awards in addition to his 24 awards with the Chicago Symphony Orchestra and Chorus. Solti and producer John Culshaw also received the first NARAS Trustees’ Award in 1967 for their “efforts, ingenuity, and artistic contributions” in connection with the first complete recording of Richard Wagner’s Der Ring des Nibelungen with the Vienna Philharmonic. Solti also received the Academy’s 1995 Lifetime Achievement Award.

Chicago Symphony Orchestra: 125 Moments was created to celebrate the ensemble’s 125th season in 2015-16 and gathered significant events, illustrated with imagery and artifacts from the collections of the Rosenthal Archives.

This article also appears here and portions previously appeared here.