CSO Principal Trombone Jay Friedman to retire after a 63-season tenure

After 63 seasons as a member of the Chicago Symphony Orchestra, Principal Trombone Jay Friedman has decided to retire in September. In 1962, he was appointed as assistant principal trombone by Fritz Reiner, who was then the CSO’s musical adviser; in 1965, Friedman was promoted to principal by Jean Martinon, the CSO’s seventh music director.

Friedman, who holds the Lisa and Paul Wiggin Principal Trombone Chair, and Lynne Turner, a member of the harp section, are the longest-serving members in CSO history, and both will retire in September after concluding their 63rd seasons in the ensemble.

Friedman’s final CSO performances occurred this spring. He will be recognized with the Chicago Symphony Orchestra’s Theodore Thomas Medallion for Distinguished Service at a date to be announced.

His extraordinary artistry across more than six decades has brought him significant attention not only as an orchestral musician but also as a master teacher of brass performance technique, a composer and arranger, and conductor.  

In 1962, Friedman joined the CSO’s legendary brass section, whose players then included Principal Trumpet Adolph “Bud” Herseth, fellow trombone section members Frank Crisafulli and Edward Kleinhammer, and Principal Tuba Arnold Jacobs. With the CSO, Friedman performed under music directors Fritz Reiner, Jean Martinon, Sir Georg Solti, Daniel Barenboim and Riccardo Muti; Principal Conductor Bernard Haitink; principal guest conductors Carlo Maria Giulini, Claudio Abbado and Pierre Boulez, and Zell Music Director Designate Klaus Mäkelä.

Friedman has participated in more than 40 international tours, including the CSO’s first visit to Europe in 1971 with Solti and Giulini, as well as the ensemble’s first tours to Asia, Australia and South America. 

His CSO highlights include a 1967 Carnegie Hall concert featuring Stravinsky’s Rite of Spring with Jean Martinon, 1969 performances of Smetana’s Má vlast and Mahler’s Symphony No. 9 with Rafael Kubelík, Bruckner’s Symphony No. 9 with Günter Wand, concert opera performances with Sir Georg Solti of Wagner’s Das Rheingold, as well as Strauss’ Salome featuring Birgit Nilsson in the title role, Beethoven’s Fifth and Brahms’ Second symphonies with Carlos Kleiber in 1978 and 1983 respectively, Beethoven’s Sixth and Bruckner’s Eighth symphonies with Christian Thielemann and Beethoven’s Fifth and  Sixth symphonies with George Szell.

More recent concert highlights include performances of Mahler and Bruckner symphonies with Principal Conductor Bernard Haitink, and concert opera performances of Verdi’s Otello, Macbeth, Falstaff and Un ballo in maschera along with the Requiem Mass, with Riccardo Muti.  

Friedman has been a soloist with the CSO on several occasions, starting in 1969 with Bloch’s Symphony for Trombone and Orchestra and Creston’s Fantasy for Trombone and Orchestra in 1976 with Sir Georg Solti conducting. In 1991, he performed the world premiere with Solti and the CSO of Ellen Taaffe Zwilich’s Trombone Concerto, written especially for him and commissioned by the Edward Schmidt Family Foundation. In 2018, Friedman, along with Michael Mulcahy (trombone), Charlie Vernon (bass trombone) and Principal Tuba Gene Pokorny, gave world premiere performances of Jennifer Higdon’s Low Brass Concerto with Riccardo Muti at Orchestra Hall and in tour performances at Carnegie Hall and several other venues. The new concerto was commissioned by the CSO with support from the Edward F. Schmidt Family Commissioning Fund and written for this unique group of players. 
 
Friedman has also been heard on hundreds of CSO recordings, including as a soloist on the 1966 RCA recording of Swiss composer Frank Martin’s Concerto for Seven Wind Instruments, Timpani, Percussion and String Orchestra with Jean Martinon conducting. He is also featured as a performer and a conductor on the “Chicago Symphony Orchestra Brass Live” recording which has remained a best-seller on the CSO Resound label since its initial release in 2011. During his tenure, recordings by the Chicago Symphony Orchestra and Chorus have won more than 60 Grammy Awards from the Recording Academy.   

An active conductor, Friedman was named music director of the Symphony of Oak Park and River Forest in 1995. In 2002, he was selected as Conductor of the Year by the Illinois Council of Orchestras, with the Symphony of Oak Park and River Forest recognized as Orchestra of the Year in 2011. At Friedman’s invitation, Maestro Muti led the ensemble in several open rehearsals during his tenure as music director.  

In 2010, Friedman conducted Mahler’s Eighth Symphony (Symphony of a Thousand) at Symphony Center, with the Symphony of Oak Park and River Forest, the choirs of the Symphony of Oak Park and River Forest, Chicago Concert Chorale, Concordia University and the Oak Park Children’s Choir.

Other guest conducting appearances include stints with the Louisiana Philharmonic, Berlin Staatskapelle, Zurich Opera, National Orchestra of Mexico, Orchestra of the Italian Radio (RAI), Malmö Symphony and the Chicago Symphony Orchestra’s annual donor concerts, among others.

At Maestro Muti’s invitation in 2016, Friedman led the Civic Orchestra of Chicago in Russian composer Reinhold Glière’s monumental Symphony No. 3 (Ilya Murometz), with subsequent Civic podium appearances in 2017 to lead Mozart’s Haffner Symphony and Bruckner’s Symphony No. 7. In 2018, Friedman conducted the Civic Orchestra Brass in selections from Wagner’s Ring Cycle. In 2018, he led Sibelius’ Lemminkäinen Suite and preludes to Wagner’s operas Lohengrin, Tristan and Isolde and Parsifal with the full ensemble. 

In addition, Friedman has conducted several CSO brass concerts over the years, including a special tribute concert for Adolph “Bud” Herseth to mark his 50th anniversary as principal trumpet. For that program, Friedman created an arrangement for 12 brass players of Strauss’ Alpine Symphony, which has gone on to receive performances by several brass ensembles.  

Born in Chicago in 1939, Friedman attended high school in Chicago. Some of his earliest musical memories include attending CSO concerts and hearing Mahler’s Symphony No. 1 for the first time. After attending Yale University on a scholarship, Friedman later majored in composition at Roosevelt University. He spent four years as a member of the Civic Orchestra of Chicago (1958 to 1962) and two years with the Florida Symphony before he joined the Chicago Symphony Orchestra. 

During his CSO tenure, Friedman regularly served as a coach for the trombone section of the Civic Orchestra. As an educator, he has conducted many brass clinics and workshops at music schools and conservatories in the United States and abroad, and has led masterclasses for young musicians during CSO domestic and international tours. He has published many articles on brass technique and musicianship that are available on his website jayfriedman.net.  
 
In retirement, Friedman will maintain his studio at Roosevelt University and continue as music director at the Symphony of Oak Park and River Forest.

Images of Jay Friedman, through the years

The CSOA family congratulates Jay Friedman, CSO principal trombone, on his recent retirement after 63 seasons as a member of the Chicago Symphony Orchestra. His extraordinary artistry across more than six decades has brought him significant attention not only as an orchestral musician but also as a master teacher of brass performance technique, a composer and arranger, and a conductor. In retirement, Friedman will maintain his studio at Roosevelt University and continue as music director at the Symphony of Oak Park and River Forest.