Tell us about one of the most memorable experiences during your years in the Civic Orchestra.
Even though Civic was not as organized as it is today, it was a reading orchestra with one concert each year. The conductor was John Weicher — former concertmaster of the CSO. We never got through a complete work in a rehearsal because he was so picky and tore each piece apart. I learned more from him and that method of making music than any other experience as a student.
Do you stay in contact with any of your Civic colleagues and, if so, who and in what capacity?
I work with current Civic members often, but since I was in Civic from 1958-62 I have no contact with players from that time.
What would you say to musicians who are considering an audition for the Civic Orchestra?
I tell students to audition every chance they get to get into Civic, even if they are not successful the first time. Also they should take as many other auditions as possible — even if it’s not a position they’re interested in — just to gain experience.
How did your experience in the Civic Orchestra influence your musical career?
I wouldn’t have had a successful music career if it wasn’t for Civic, because I was a late starter and very green. It prepared me for my position and longevity in the CSO.
