CSO Fellowship Program Audition
The Chicago Symphony Orchestra (CSO) recently accepted 2024/25 Season applications for the CSO Fellowship Program. Check back in late Fall for information about 2025/26 Season applications.
Program Overview
CSO Fellows will rehearse and perform in a major symphony orchestra setting, work with top conductors, and receive training and mentorship from CSO musicians. The program’s objective is to help early career musicians become better equipped to win auditions with top U.S. orchestras, including the CSO.
The CSO Fellowship Program launched in the 2022/23 Season and is the latest initiative that assists early-career musicians from all backgrounds that have a demonstrated commitment to equity and inclusion as they seek a career in classical-music performance. These programs include the Percussion Scholarship Program, Chicago Musical Pathways Initiative and Sphinx Orchestral Partners Auditions.
Program Eligibility
The CSO Fellowship Program is open to outstanding early-career string players (violin, viola, cello) who are attending or have graduated from college, university or conservatory and are committed to fostering a culture of equity, inclusion, and belonging, or have overcome adversity in their path to the performing arts.
Additionally, applicants must have U.S. citizenship, permanent U.S. residency or an 0-1 or OPT visa at the time of application and must be a member in good standing of the American Federation of Musicians or willing to join the AFM if accepted to the fellowship.
Participants in the CSO Fellowship Program must be fully vaccinated and up-to-date with their COVID-19 vaccinations according to the definitions of the Centers for Disease Control. Audition finalists will be asked to provide proof of their vaccination status prior to participating in the final auditions.
Rehearsal, Performance and Learning Opportunities
- CSO Fellows will rehearse and perform with the CSO for 20 weeks per season between September and August; additional CSO weeks, as well as additional extra work, are possible.
- CSO Fellows will have the same contractual working conditions as extra or substitute musicians with the CSO.
- CSO Fellows will receive up to 10 private one-hour lessons per season with a CSO member or members who agree to offer private lessons.
- CSO Fellows may be invited to extend their fellowship for up to two additional years. Invitations for subsequent years, if made, will be extended by January 15; a fellow must accept or decline the invitation no later than February 15.
Compensation
- CSO Fellows will be compensated from $63,000 to $74,000 per season, less statutory deductions, depending on the number of services played and based on the compensation for substitute and extra musicians as dictated by the CSO’s collective bargaining agreement.
- Each CSO Fellow will receive air transportation or mileage reimbursement for ground transportation for the initial move to Chicago, as well as a one-time relocation payment of $2,500 for those moving to Chicago from outside the Chicagoland area.
- CSO Fellows will also be offered transportation assistance to attend up to two auditions per year for full-time employment with other U.S. orchestras.
Promotional Toolkit
- One page brochure (pdf)
- Digital e-card (jpg)
- Digital video screen poster (jpg)
- Social Media images (all jpg)
Check back in late Fall for information about 2025/26 Season applications.
There is no application fee for this program.
General Video Guidelines
Musicians of the Chicago Symphony Orchestra will review all submitted video auditions. Please supply high-quality video recordings that are the best possible representation of your technical ability, tone quality and musicianship. Below are a few guidelines:
- The video frame should include your entire face, your instrument and full range of motion while you are playing. Videos submitted without full visibility will not be considered.
- Good sound quality will help the judges get the most accurate sense of your music-making, tone and timbre. However, professional equipment and a studio space are not necessary. With attention to details, a successful audition video can be made with readily available consumer-level electronics.
- Please consider the room/environment in which the video will be recorded. Make certain you are well-lit; having more light in front than behind you will make you more visible. Please remove miscellaneous items in the background that might be distracting to the viewer.
- Avoid recording near windows or in rooms with excessive external noises that might distract the judges from listening to your performance.
- Before submitting your audition, please watch and listen to your video, checking for audio levels and visual presentation.
FAQs and further suggestions on making a high-quality video »
Violin Preliminary Video Submission Repertoire
Solo:
The first movement of any violin concerto by Beethoven, Brahms, Mendelssohn, Mozart, Sibelius, or Tchaikovsky.
Please record the exposition only, not to exceed 3 minutes of playing.
Orchestral Excerpts:
Violin I
Strauss Don Juan
beginning to [D]
Violin II
Brahms Piano Concerto No. 1
3rd movement, measures 238-274
Violin Final Audition Repertoire
Those selected as finalists will be required to prepare the following works for the final round in Chicago.
Solo:
The entire first movement of any violin concerto by Beethoven, Brahms, Mendelssohn, Mozart, Sibelius, or Tchaikovsky.
Orchestral Excerpts:
Violin I
Brahms Symphony No. 4
4th movement, measures 33-64
Strauss Don Juan
beginning to [D]
Violin II
Beethoven Symphony No. 1
2nd movement, beginning to [A]
Brahms Piano Concerto No. 1
3rd movement, measures 238-274
Bruckner Symphony No. 9
3rd movement, measures 57-64
Mozart Symphony No. 41
4th movement, measures 272-313
Possible Sight-Reading:
Excerpts from the standard repertoire to be determined at the audition.
Viola Preliminary Video Submission Repertoire
Solo:
Stamitz Viola Concerto
1st Movement, exposition
Orchestral Excerpts:
Mendelssohn Scherzo from Midsummer Night's Dream
Rehearsal [E] to 3rd measure of rehearsal [I].
Mozart Symphony No. 35
4th movement, measures 134-181
Shostakovich Symphony No. 5
1st movement, rehearsal #15-17
Strauss Don Juan
opening to rehearsal [D]
Viola Final Audition Repertoire
Those selected as finalists will be required to prepare the following works for the final round in Chicago.
Solo:
Stamitz Viola Concerto
1st Movement, exposition
The entire first movement of one of the following viola concertos: Bartok Viola Concerto, Hindemith Der Schwanendreher, or Walton Viola Concerto.
Orchestral Excerpts:
Mendelssohn Scherzo from Midsummer Night's Dream
Rehearsal [E] to 3rd measure of rehearsal [I]
Mozart Symphony No. 35
4th movement, measures 134-181
Shostakovich Symphony No. 5
1st movement, rehearsal #15-17
Strauss Don Juan
opening to rehearsal [D]
Sight-reading:
Excerpts from the standard repertoire to be determined at the audition.
Cello Preliminary Video Submission Repertoire
Solo:
The first movement of a cello concerto by one of the following composers: Dvořák, Haydn, Saint-Saëns, or Schumann.
Please record the exposition only, not to exceed 3 minutes of playing.
Orchestral Excerpts:
Beethoven Symphony No. 5
2nd movement, measure 1-10
2nd movement measure 49-59
2nd movement measure 98-106
Brahms Symphony No. 2
2nd movement, opening through measures 12, beat 3
Mendelssohn Scherzo from Midsummer Night's Dream
pick-up to measure 297 through 323 (rehearsal [N] to [O])
Strauss Don Juan
opening through measure 9
seven before rehearsal [G] to [H]
[R] to third measure of [T]
Cello Final Audition Repertoire
Those selected as finalists will be required to prepare the following works for the final round in Chicago.
Solo:
The entire first movement of a cello concerto by one of the following composers: Dvořák, Haydn, Saint-Saëns, or Schumann.
Orchestral Excerpts:
Beethoven Symphony No. 5
2nd movement, measure 1-10
2nd movement measure 49-59
2nd movement measure 98-106
Brahms Symphony No. 2
2nd movement, opening through measures 12, beat 3
Mendelssohn Scherzo from Midsummer Night's Dream
pick-up to measure 297 through 323 (rehearsal [N] to [O])
Strauss Don Juan
opening through measure 9
seven before rehearsal [G] to [H]
[R] to third measure of [T]
Possible Sight-Reading:
Excerpts from the standard repertoire to be determined at the audition.
Note: All audition candidates are responsible for obtaining audition repertoire from standard excerpt books or purchasable music.