The Chicago Symphony Chorus, which celebrated its 60th anniversary during the 2017-18 season, has been led by Chorus Director and Conductor Duain Wolfe since 1994. The ensemble regularly performs with the Chicago Symphony Orchestra in Orchestra Hall and at the Ravinia Festival.
The history of the Chorus began in 1957, when sixth music director Fritz Reiner invited Margaret Hillis to establish a chorus to equal the quality of the Orchestra. Hillis accepted the challenge, and the Chicago Symphony Chorus debuted in March and April 1958, in Mozart’s Requiem under Bruno Walter and Verdi’s Requiem under Reiner. Hillis served the Chorus for 37 years, until her retirement in 1994; ninth music director Daniel Barenboim appointed Duain Wolfe as her successor in June of that year.
The Chorus first performed in Carnegie Hall in 1967 in Henze’s Muses of Sicily and Ravel’s Daphnis and Chloe under seventh music director Jean Martinon, and most recently in 2015 with Riccardo Muti for Scriabin’s Prometheus and Prokofiev’s Alexander Nevsky. Touring internationally with the Orchestra, the Chorus traveled to London and Salzburg in 1989 with Sir Georg Solti for performances of Berlioz’s The Damnation of Faust and to Berlin in 1999 with Barenboim for Brahms’ A German Requiem and Pierre Boulez for Schoenberg’s Moses and Aron.
World premieres featuring the Chorus have included Ned Rorem’s Goodbye My Fancy, John Harbison’s Four Psalms and Bernard Rands’ apókryphos. With visiting orchestras, the Chorus has collaborated with the Berlin Philharmonic under Claudio Abbado, Boston Symphony Orchestra and Seiji Ozawa, Israel Philharmonic Orchestra with Zubin Mehta and the Staatskapelle Berlin under Barenboim.
The Chorus also has appeared on two movie soundtracks with the Orchestra: Fantasia 2000, led by Levine, and John Williams’ score for Lincoln, conducted by the composer. Recordings on CSO Resound featuring the Chorus include Mahler’s Second and Third symphonies, Poulenc’s Gloria and Ravel’s Daphnis and Chloe under Bernard Haitink, and Berlioz’s Lélio, Verdi’s Otello, Schoenberg’s Kol Nidre, choruses by Verdi and Boito’s Prologue to Mefistofele and most recently, with the Men of the Chorus, in Shostakovich’s Symphony No. 13 (Babi Yar) under Riccardo Muti.