Noseda Conducts Debussy & Prokofiev 4

Dec 11-13, 2025
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Overview

A work of dark, searching grandeur, Prokofiev’s Fourth Symphony gathers sumptuous themes from his ballet music, revised in the postwar shadow of Stalin’s Russia. Britten’s Violin Concerto, a searing response to the Spanish Civil War, features James Ehnes, “a flawless technician and a serious, ever-perceptive musician” (The Guardian). Providing contrast is Debussy’s dreamy and sensuous prelude.

  • Venue
    Symphony Center
  • Price
    $39.00+ (incl. fees)
  • Length
    2 hours
  • Preconcert Conversation
    LaRob K. Rafael
Schedule
Program
Debussy

Prelude to The Afternoon of a Faun

Britten

Violin Concerto

Prokofiev

Symphony No. 4

Extras

Enhance your concert experience.

Preconcert Dining

Explore Symphony Center’s on-site dining options for a seamless preconcert experience. Preorder a Sound Bites meal to enjoy in the Rotunda before the concert — or make a reservation to dine at the Thomas Club, offering a prix fixe menu featuring traditional American fare and a spectacular view of Lake Michigan. View menus and learn more »


Preconcert Conversation

Explore the music in a free preconcert conversation featuring LaRob K. Rafael in Orchestra Hall 75 minutes before the performance. The talk will last approximately 30 minutes. No additional tickets are needed.

Sponsors & Partners

The appearance of Ginanadrea Noseda is made possible by the Juli Plant Grainger Fund for Artistic Excellence.

These concerts are generously sponsored by United Airlines.


Discover more on Experience CSO
Given his long history with the works of Prokofiev, conductor Gianandrea Noseda opted to lead the CSO in his Fourth, "because it is a spectacular piece and needs a virtuoso orchestra, and the Chicago Symphony is [that]."
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In 1917, Chicago businessman Cyrus McCormick Jr. met composer Sergei Prokofiev, then 26, while on a business trip to Russia and then encouraged the composer-conductor to visit and perform in the United States.
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The list of “Big 5" violin concertos is not hard and fast. Nonetheless, it is a starting point in establishing the foundational concertos for the instrument, ones that virtually all major mainstream violinists perform regularly.
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