Grieg & Rachmaninov

Dec 5-7, 2024

Overview

Rachmaninov’s majestic First Symphony churns with youthful romantic fervor and ethereal mystery — perfect for a December outing. Grieg’s Peer Gynt Suite No. 1, inspired by Norway’s national folk hero, includes the instantly familiar dream-like fantasy of “The Hall of the Mountain King.” Johannes Moser brings his “remarkably visceral and vivid playing” (Gramophone) to Lutosławski’s wild and enchanting Cello Concerto.


Program
Grieg

Suite No. 1 from Peer Gynt

Lutosławski

Cello Concerto

Rachmaninov

Symphony No. 1

Extras

Enhance your concert experience.

Preconcert Dining

Enhance your concert experience by dining at the Thomas Club, offering a prix fixe menu featuring traditional American fare for a seamless preconcert dining experience. Reservations | Learn more and view the menu


Preconcert Conversation

Explore the music in a free preconcert conversation featuring Johann Buis in Orchestra Hall 75 minutes before the performance. The talk will last approximately 30 minutes. No additional tickets are needed.


Postconcert CD Signing

Please join us for a postconcert CD signing with Johannes Moser on Saturday, December 7. This signing will take place in Grainger Ballroom and is open to all ticket holders. Merchandise will be available at the Symphony Store preconcert and Grainger Ballroom at intermission and postconcert.

Sponsors

Discover more on Experience CSO
"With its spirit of adventure, this story could be taken out of its geographical context and placed elsewhere, but there is a particularly Nordic aspect of this work that I personally recognize," says Finnish conductor Dima Slobodeniouk.
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Johannes Moser came to the cello as a means of escape: "The main reason for me to start playing the cello was to get away from the violin, because I really was the world’s worst violinist!"
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The easily recognizable themes from Grieg's "Peer Gynt" suites helped them attain iconic status in popular culture, where they have been arranged or quoted by many artists over the years.
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