The marquee of the Granada Theatre, built in 1924 as a movie palace, welcomes Riccardo Muti and the Chicago Symphony.
Todd Rosenberg Photography
For the penultimate stop on their 2026 West Coast Tour, the Chicago Symphony Orchestra and Music Director Emeritus for Life Riccardo Muti traveled to sunny Santa Barbara and its historic Granada Theatre.
The Community Arts Music Association of Santa Barbara presented the Jan. 23 concert, which followed a bus ride along the coast from Palm Springs through Los Angeles. The CSO program consisted of works by Brahms, Stravinsky, Ravel and Verdi (the overture from Nabucco as an encore). The CSO and Muti previously performed at the Granada, named for the city in southern Spain, on Oct. 21, 2017, and Jan. 25, 2023.
A year-round tourist destination, Santa Barbara is known for its stellar weather, downtown beaches and Spanish-style architecture. Tourism brings more than $1 billion annually into the local economy.
Built in 1924 as a Spanish Renaissance movie palace, the Granada has been key to Santa Barbara’s arts/entertainment scene for more than a century. Designed by Chicago-born architect Alexander Rosenthal (1889-1945), the theater anchors an eight-story office building downtown. It became known as Santa Barbara’s only "skyscraper” and remains the city’s tallest structure.
In 2003, after the Granada had experienced a few fallow decades, a campaign was launched to renovate the theater. It reopened March 6, 2008, with a larger stage and state-of-the-art sound and lighting. Today, the 1,500-seat theater welcomes Broadway productions, globally recognized musicians and local artists to its stage. It also serves as home to eight resident companies: American Theatre Guild, Santa Barbara Choral Society, Music Academy of the West, Opera Santa Barbara, State Street Ballet, Santa Barbara Symphony, UCSB Arts and Lectures and CAMA.
The Granada represents the crucial role that the performing arts play in defining the communal life of Santa Barbara and the central coastal region.
Before the concert at the Granada, CSO musicians squeezed in some recreation, including pickleball and cycling, and sightseeing. Among the attractions: "Chromatic Gate,“ known as ”A Rainbow on Santa Barbara’s Waterfront.“ Designed by the Bauhaus-trained, Austrian-born artist Herbert Bayer (1900-1985) ”Chromatic Gate" was erected in 1991 as a memorial to Bayer, who, for his last decade, lived in nearby Montecito. The sculpture also has become a symbol of Santa Barbara’s artistic spirit.
Next up: the tour finale concert in Costa Mesa on Jan. 24.
Palm trees wave along the Santa Barbara harbor.
Todd Rosenberg Photography
In a white hat and sunglasses, CSO violin Sando Shia displays the California spirit.
Todd Rosenberg Photography
Bassoonist Miles Maner and guest pianist Kelly Estes check out the public artwork "Chromatic Gate."
Todd Rosenberg Photography
CSO musicians, including viola Wei-Ting Kuo (right), squeeze in a game of pickleball.
Todd Rosenberg Photography
With the concert soon to begin, CSO violin Lei Hou warms up onstage at the Granada.
Todd Rosenberg Photography
Twilight time in Santa Barbara evokes the adage: red sky at night, sailor's delight.
Todd Rosenberg Photography
The trumpet tandem of John Hagstrom (left) and Esteban Battalán (principal) are seen in the Brahms.
Todd Rosenberg Photography
CSO violin Mihaela Ionescu (far right) comes into view.
Todd Rosenberg Photography
The CSO's low strings, the cello and double bass sections, perform in Brahms' Symphony No. 4,
Todd Rosenberg Photography
In Brahms' Fourth, the camera finds Principal Trimpani David Herbert (upper right), horns and second violins.
Todd Rosenberg Photography
Riccardo Muti leads the CSO in the final movement of Brahms' Symphony No. 4.
Todd Rosenberg Photography
Here's a view from the top of the Granada, the oldest surviving former movie palace in Santa Barbara.
Todd Rosenberg Photography
CSO viola Sunghee Choi (left) and violin So Young Bae relax at intermission.
Todd Rosenberg Photography
Serenade in blue: Riccardo Muti stands backstage during intermission.
Todd Rosenberg Photography
Gabriela Lara (center), a former CSO Fellow, became an orchestra member in early January.
Todd Rosenberg Photography
CSO basses Ian Hallas (left) and Bradley Opland in Ravel's "Boléro."
Todd Rosenberg Photography
As the concert ends, Riccardo Muti and the CSO take their bows at the Granada Theatre.
Todd Rosenberg Photography
CSO stage tech Blair Carlson packs up the orchestra's equipment as the load-out begins.
Todd Rosenberg Photography

