The CSO and Muti lauded for ‘formidable discipline’ at historic Carnegie Hall

From Florida, the Chicago Symphony Orchestra flew to New York City, the next stop on its U.S. Winter Tour 2025 with Riccardo Muti, Music Director Emeritus for Life. 

After arriving on Jan. 20, Martin Luther King Jr. Day, a federal holiday, and spending some time sightseeing around snowy Manhattan, CSO musicians convened for a rehearsal the next day at historic Carnegie Hall, arguably the nation’s most revered concert venue.

Since hall’s founding in 1891, the CSO has performed almost 150 concerts at the storied venue, known for its stellar acoustics. It was designated a National Historic Landmark in 1964.

The program — a blend of repertoire performed across the tour so far — combined the stately power of the overture to Bellini’s opera Norma with the orchestral fireworks of The Four Seasons ballet from Verdi’s opera I vespri siciliani (The Sicilian Vespers) and Tchaikovsky’s Fourth Symphony. After a standing ovation, Muti and the CSO performed Giuseppe Martucci’s "Notturno,” as an encore, delighting the sold-out crowd.

The New York Times gave the CSO and Muti a rave review: "The Tchaikovsky showcased the formidable discipline of the Chicago sound under Muti, with the orchestra’s famous brass section gleaming in the fearsome fanfares that function as the fate motif anchoring the symphony. ... It was easy to project a sense of retrospective melancholy onto this concert [as] Muti, 83, is leaving the orchestra in the hands of his wunderkind successor Klaus Mäkelä. As an encore, Muti offered a tender rendition of Notturno,” a rueful, openhearted reverie shimmering with echoes of Mahler."

Next, the CSO and Muti travel to Stillwater, Oklahoma, wrapping up their tour with a two-day residency at the McKnight Center for the Performing Arts.

CSO viola Max Raimi catches up with Vanessa Moss, vice president of operations, at the Orlando airport.

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CSO musicians and staff board their United flight for the trip to New York City.

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Blue skies, it's nothing but blue skies, as the CSO's flight approaches New York City.

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After checking in at their hotel, CSO team members head out into midtown Manhattan for a late afternoon stroll.

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Banners remind passers-by that Jan. 20 is a federal holiday dedicated to civil-rights pioneer Rev. Martin Luther King Jr.

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The Manhattan skyline glistens in the twlight. That's the historic Chrysler Building at the right.

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Principal Tuba Gene Pokorny carries a cimbasso, an instrument in the same range as a tuba or contrabass trombone.

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Mark Ridenour, assistant principal trumpet, warms up on the stage of Carnegie Hall.

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Michael Mulcahy, acting principal trombone, sits at the back of Carnegie Hall's Stern Auditorium to warm up.

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Heidi Lukas, CSO director of operations, checks the orchestra's travel cases after they're unloaded backstage.

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A view from the rear of Carnegie Hall. Its elliptical shape, extended stage and domed ceiling add to the hall's rich acoustics.

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Before the concert, CSO horn Daniel Gingrich warms up on the stage of Carnegie Hall.

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William Welter, principal oboe, flashes a thumbs-up sign as he heads to the stage.

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David Taylor, assistant concertmaster, grabs a photograph from the stage wings in between works at Carnegie Hall.

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Maestro Riccardo Muti congratulates his musicians as the Carnegie Hall concert proceeds.

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CSO violin Matous Michal (center) looks up as the CSO performs Tchaikovsky's Symphony No. 4. Gina DiBello and David Taylor (right), assistant concertmaster, stand for a bow.

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Maestro Muti affectionately pats the cheek of John Sharp, principal cello, as the Carnegie Hall concert ends.

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After the concert, Justin Vibbard, the CSO's princpal librarian, gathers up scores from music stands.

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Principal Timpani David Herbert packs up his instruments for travel to Oklahoma.

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