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Barbara Frittoli sings the final “Libera me” with Riccardo Muti leading the Orchestra and Chorus on January 16, 2009
Todd Rosenberg
On May 5, 2008, Chicago Symphony Orchestra Association president Deborah Rutter Card announced that Riccardo Muti would become the Orchestra’s tenth music director, beginning with the 2010–11 season.
Muti’s first appearances as music director designate were on January 15, 16 and 17, 2009, in Verdi’s Requiem. Soloists were Barbara Frittoli, Olga Borodina, Mario Zeffiri and Ildar Abdrazakov, and the Chicago Symphony Chorus was prepared by chorus director Duain Wolfe.
“From the moment he walked out onto the stage of Orchestra Hall until the last notes of the Verdi sounded just over 90 minutes later, Muti showed us the summary of nearly every possible positive quality a great conductor can possess,” wrote Andrew Patner in the Chicago Sun-Times. “The CSO played on the edge of its collective seat throughout. . . . When has the CSO Chorus sounded like this? Not since founder Margaret Hillis at her peak. Some 170 voices singing as one, powered from the bottom ranges, standing and delivering on cue with equal parts passion and precision, and investing the softest passages with the greatest musicality.”
VERDI Messa da Requiem
CSO Resound (2009)
Regarding the subsequent release of the Requiem on CSO Resound, Robert Levine for classicstoday.com wrote, “Muti still brings Toscanini to mind more than any other conductor, but he is more pliable in this performance than that other great Italian maestro or his earlier self. The Chorus, like the Orchestra, moves from fortissimo to pianissimo on a dime; their singing is effortless, precise and filled with attention to the text. The quieter, spiritual sections are remarkable for their aura of stillness and meditation and their outbursts thrill and terrify. It’s breathtaking.”
On February 13, 2011, the recording received Grammy awards for Best Classical Album and Best Choral Performance from the National Academy of Recording Arts and Sciences.
Chicago Symphony Orchestra: 125 Moments was created to celebrate the ensemble’s 125th season in 2015-16 and gathered significant events, illustrated with imagery and artifacts from the collections of the Rosenthal Archives.
This article also appears here.
