Tamara Stefanovich

Known for captivating interpretations of a wide repertoire, Tamara Stefanovich performs at the world’s major concert venues including Carnegie Hall New York, Berlin Philharmonie, Suntory Hall Tokyo and London’s Royal Albert and Wigmore Halls. She features in international festivals such as La Roque d’Antheron, Ravenna, Salzburger Festspiele, Styriarte Graz and Beethovenfest Bonn. Stefanovich has appeared with orchestras including The Cleveland and Chicago Symphonies, London Symphony and London Philharmonic orchestras, Bamberger Symphoniker, Britten Sinfonia, Deutsche Kammerphilharmonie Bremen and Swedish Chamber Orchestra.

The 2017/18 season will see her debut with the Orquestra Sinfonica do Estado de Sao Paulo where she will feature as artist in focus. She will be on tour throughout Europe with the Gustav Mahler Jugendorchester and the National Youth Orchestra of Great Britain. Together with London Sinfonietta, she celebrates the orchestra’s 50th Birthday, performing Abrahamsen’s Concerto for Left Hand, conducted by George Banjamin. She returns home to Belgrade Philharmonic Orchestra and is the soloist with Saarländisches Staatsorchester Saarbrücken. Recitals will take her to Amsterdam’s Muziekgebouw Aant IJ, Monte Carlo, Southbank Centre, Klavierfestival Ruhr, Edinburgh International Festival, Snape Maltings and Lucerne Festival.

Tamara Stefanovich has collaborated with conductors such as Vladimir Ashkenazy, Osmo Vänskä, Susanna Mälkki and Vladimir Jurowski, as well as leading composers including Pierre Boulez, Peter Eötvös and György Kurtág. She regularly leads educational projects such as the innovative online project of interactive pedagogical analyses of Boulez’ Notations: www.explorethescore.org. Tamara is cofounder and curator of a newly created festival “The Clearing” at Portland International Piano Series. 

Her latest recording of Hans Abrahamsen’s Concerto for Piano and Orchestra and 10 studies for piano with WDR Symphonieorchester Köln released by Winter & Winter. She has recorded Quasi una fantasia and the Double concerto with Asko|Schönberg Ensemble and Reinbert de Leeuw/Jean-Guihen Queyras for ECM’s complete recording of Kurtág’s works for ensemble. The recording has just been released and has received a 5* review in The Guardian.

 

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