Meet The Performers

Chicago Symphony Orchestra

Chicago Symphony Orchestra

The Chicago Symphony Orchestra (CSO) is consistently hailed as one of today's leading orchestras. Performances by the CSO are much in demand at home and in the most prestigious music capitals of the world. In September 2010, renowned Italian conductor Riccardo Muti became the CSO's tenth music director. His vision for the Orchestra-to deepen its engagement with the Chicago community, to nurture the legacy of the CSO while supporting a new generation of musicians and to collaborate with visionary artists-signals a new era for the institution. French composer and conductor Pierre Boulez, whose long-standing relationship with the CSO led to his appointment as principal guest conductor in 1995, was named Helen Regenstein Conductor Emeritus in 2006. 

In collaboration with internationally renowned conductors and guest artists, the CSO performs well over 150 concerts each year at its downtown Chicago home, Symphony Center, and at the Ravinia Festival on Chicago's North Shore, where it is in residence each summer. Through The Institute for Learning, Access and Training, the CSO engages more than 200,000 Chicago-area residents annually. 

In January 2010, Yo-Yo Ma became the CSO's first Judson and Joyce Green Creative Consultant, appointed by Riccardo Muti for a three-year term. In this role, he serves as an invaluable partner to Maestro Muti and to CSO staff and musicians through his unparalleled artistry and unique ability to connect with others. Ma joins Muti to act as inspirational catalysts for the Chicago community, advocating for the transformative power that music can have. Ma participates in the development and implementation of new initiatives, projects and series under the auspices of The Institute for Learning, Access and Training. In October 2012, Ma's term was extended through June 2015. 

Two Mead Composers-in-Residence began two-year terms in the fall of 2010, which were recently extended for two additional years, through the 2013/14 season. Mason Bates and Anna Clyne, appointed by Riccardo Muti, curate the contemporary MusicNOW series, sharing their relevant and impactful work with audiences in Chicago. By collaborating with artists from other fields and other institutions, Bates and Clyne are committed to reaching across traditional barriers and into the Chicago community with fresh ideas for partnerships and creating unique musical experiences. In addition to the MusicNOW series, for which each composer wrote a new piece that was premiered in 2011, the CSO performed Bates' The B-Sides on subscription concerts in 2010/11, and in February 2012, premiered CSO-commissions NightFerry (Clyne) and Alternative Energy (Bates). Riccardo Muti and the CSO took both pieces on tour for performances in California shortly thereafter and performed Alternative Energy at Carnegie Hall in October 2012.  

Since 1916, recording has been a significant part of CSO activities. Current releases on the CSO Resound label, which was launched in 2007, include Chicago Symphony Orchestra Brass Live; Verdi's Messa da Requiem led by Riccardo Muti and featuring the Chicago Symphony Chorus; Strauss' Ein Heldenleben and Webern's Im Sommerwind, Bruckner's Seventh Symphony, Shostakovich's Fourth Symphony and Mahler's First, Second, Third and Sixth Symphonies, all conducted by Bernard Haitink; Poulenc's Gloria (featuring soprano Jessica Rivera) and Ravel's Daphnis et Chloé with the Chicago Symphony Chorus led by Haitink; Stravinsky's Pulcinella, Four Études and Symphony in Three Movements with Pierre Boulez; Traditions and Transformations: Sounds of Silk Road Chicago, featuring the Silk Road Ensemble, Yo-Yo Ma and Wu Man; and a download-only recording of Shostakovich's Fifth Symphony under Myung-Whun Chung.

Recordings by the CSO have earned 62 Grammy Awards from the National Academy of Recording Arts and Sciences. The CSO Resound recording of Shostakovich's Fourth Symphony with Haitink, which includes a DVD Beyond the Score presentation, won the 2008 Grammy for Best Orchestral Performance. That same year, Traditions and Transformations: Sounds of Silk Road Chicago received the Grammy for Best Engineered Album, Classical. Most recently, the recording of Verdi's Messa da Requiem with Riccardo Muti was recognized with two Grammy Awards in 2011 for Best Classical Album and Best Choral Performance. 

In May 2012, the Chicago Symphony Orchestra along with members of the Chorus recorded renowned composer John Williams' original score for the movie Lincoln under Williams' baton. Directed by Steven Spielberg, Lincoln was released in November 2012. 

The CSO returned to the airwaves with its self-produced weekly broadcast in April 2007, which is syndicated to more than 400 stations nationwide on the WFMT Radio Network, as well as online at cso.org. These broadcasts offer a new and distinctive approach to classical music radio programming, with lively and engaging content designed to provide deeper insight and offer further connection to the music performed throughout the Orchestra's concert season. 

The Chicago Symphony Orchestra's distinguished history began in 1891, when Theodore Thomas-then the leading conductor in America and a recognized music pioneer-was invited by Chicago businessman Charles Norman Fay to establish a symphony orchestra. Thomas' aim to establish a permanent orchestra with performance capabilities of the highest quality was realized at the first concerts in October of that year. Thomas served as music director until his death in 1905-just three weeks after the dedication of Orchestra Hall, the Chicago Symphony Orchestra's permanent home. 

Thomas' successor was Frederick Stock, who began his career in the CSO's viola section in 1895 and became assistant conductor four years later. His tenure at the Orchestra's helm lasted 37 years, from 1905 to 1942-the longest of Chicago's 10 music directors. Dynamic and innovative, the Stock years saw the founding of the Civic Orchestra of Chicago, the first training orchestra in the United States affiliated with a major symphony orchestra, in 1919. He also established youth auditions, organized the first subscription concerts especially for children and began a series of popular concerts. 

Three distinguished conductors headed the Orchestra during the following decade: Désiré Defauw was music director from 1943 to 1947; Artur Rodzinski assumed the post in 1947/48; and Rafael Kubelík led the Orchestra for three seasons from 1950 to 1953. 

The next ten years belonged to Fritz Reiner, whose recordings with the Chicago Symphony Orchestra are still considered performance hallmarks. It was Reiner who invited Margaret Hillis to form the Chicago Symphony Chorus in 1957. For the five seasons from 1963 to 1968, Jean Martinon held the position of music director. 

Sir Georg Solti, the Orchestra's eighth music director, served from 1969 until 1991. He then held the title of music director laureate and returned to conduct the Orchestra for several weeks each season until his death in September 1997. Solti's arrival in Chicago launched one of the most successful musical partnerships of our time. The CSO's first overseas tour came in 1971 under his direction, and subsequent European tours, as well as trips to Japan and Australia, have reinforced the Orchestra's reputation as one of the world's finest musical ensembles. 

Daniel Barenboim assumed leadership as the Orchestra's ninth music director in September 1991, a position he held until June 2006. His music directorship was distinguished by the opening of Chicago's new Symphony Center in 1997, highly praised operatic productions at Orchestra Hall, numerous virtuoso appearances with the Orchestra in the dual role of pianist and conductor, 21 international tours (including the CSO's first to South America) and an ongoing series of composer perspectives woven into the Orchestra's subscription concerts. 

Pierre Boulez, who has been Helen Regenstein Conductor Emeritus since 2006, is one of three musicians to have held the title of principal guest conductor of the Chicago Symphony Orchestra. Carlo Maria Giulini, who began to appear in Chicago regularly in the late 1950s, was named principal guest conductor in 1969, serving until 1972. Claudio Abbado held the position from 1982 to 1985. From 2006 to 2010, eminent Dutch conductor Bernard Haitink held the post of principal conductor, the first in CSO history, guiding the Orchestra with astute musical leadership and embarking on such notable ventures as the launch of CSO Resound and multiple triumphant international tours. 

The Chicago Symphony Orchestra has embarked on 39 overseas tours since Sir Georg Solti led the first overseas tour to Europe in 1971, most recently visiting Asia for the seventh time in January and February 2013. The CSO has made 30 trips to Europe and two to Russia, as well as once each to Australia and South America. In North America, the Orchestra traveled to Canada 16 times between 1892 and 1976 and made its first trip to Mexico in October 2012. 

The Chicago Symphony Orchestra has long been associated with Ravinia, in Highland Park, Illinois, having first performed in Ravinia Park's second season in November 1905 and appearing repeatedly through August 1931, after which the Park fell dark under the Great Depression. The Orchestra helped to inaugurate the first season of the Ravinia Festival in August 1936 and has been in residence there every summer since. 

For more information on the Chicago Symphony Orchestra, visit cso.org

February 2013

Please note: Biographies on the CSO website are based on the information that was most recently provided to the CSO by the artists or their representatives. More current information may be available on the artists' own websites or those of their representatives.