Meet The Performers

Visiting Artist

Eric Owens

Bass-baritone Eric Owens has a unique reputation as an esteemed interpreter of classic works and a champion of new music. Equally at home in orchestral, recital and opera performances, Owens brings his powerful poise, expansive voice and instinctive acting faculties to stages around the world.

Owens begins his 2013-2014 season in Berlin, performing Bach's St. Matthew Passion with the Berliner Philharmoniker and Sir Simon Rattle. He makes role debuts as Scarpia in Tosca at the Lyric Opera of Baltimore and Mefistofele in Mefistofele at Carnegie Hall with the Collegiate Chorale. After mentoring the next generation of opera stars at the American Singers' Opera Project at the Kennedy Center with friend and collaborator Renée Fleming, Owens will appear as Sarastro in Mozart's The Magic Flute at the Metropolitan Opera. He makes another role debut as Vodnik in Rusalka at Lyric Opera Chicago at the start of 2014. In the spring, Owens joins what director Peter Sellars calls his "dream cast" in the Canadian Opera Company’s production of Handel’s Hercules as the title role alongside Alice Coote, David Daniels, and Richard Croft.  2013-14 also sees a duo recital with soprano Susanna Phillips presented by the Chicago Symphony Orchestra. Throughout the season, Owens will bow as Alberich in the Deutsche Opera Berlin Ring Cycle. The summer, Owens performs in the Wiener Staatsoper Ring Cycle.

Owens has created an uncommon niche for himself in the ever-growing body of contemporary opera works through his determined tackling of new and challenging roles. He received great critical acclaim for portraying the title role in the world premiere of Elliot Goldenthal’s Grendel with the Los Angeles Opera, and again at the Lincoln Center Festival, in a production directed and designed by Julie Taymor. Owens also enjoys a close association with John Adams, for whom he performed the role of General Leslie Groves in the world premiere of Doctor Atomic at the San Francisco Opera, and of the Storyteller in the world premiere of A Flowering Tree at Peter Sellars’s New Crowned Hope Festival in Vienna and later with the Los Angeles Philharmonic. Doctor Atomic was later recorded and received the 2012 Grammy for Best Opera Recording. Owens made his Boston Symphony Orchestra debut under the baton of David Robertson in Adams’s Nativity oratorio El Niño.

Owens’s career operatic highlights include his San Francisco Opera debut in Otello conducted by Donald Runnicles; his Royal Opera, Covent Garden, debut in Norma; Aida at Houston Grand Opera; Rigoletto, Il Trovatore and La Bohème at Los Angeles Opera; Die Zauberflöte for his Paris Opera (Bastille) debut; and Ariodante and L’Incoronazione di Poppea at the English National Opera. He sang Collatinus in a highly acclaimed Christopher Alden production of Britten’s The Rape of Lucretia at Glimmerglass Opera. A former member of the Houston Grand Opera Studio, Owens has sung Sarastro, Mephistopheles in Faust, Frère Laurent, Angelotti in Tosca, and Aristotle Onassis in the world premiere of Jackie O (available on the Argo label) with that company. Owens is featured on two Telarc recordings with the Atlanta Symphony: Mozart’s Requiem and scenes from Strauss’ Elektra and Die Frau ohne Schatten, both conducted by Donald Runnicles. He is featured on the Nonesuch Records release of A Flowering Tree. Owens has been recognized with multiple honors, including the 2003 Marian Anderson Award, a 1999 ARIA award, and second prize in the Plácido Domingo Operalia Competition, the Metropolitan Opera National Council Auditions and the Luciano Pavarotti International Voice Competition.

A native of Philadelphia, Owens began his musical training as a pianist at the age of six, followed by formal oboe study at age eleven under Lloyd Shorter of the Delaware Symphony and Louis Rosenblatt of the Philadelphia Orchestra. He studied voice while an undergraduate at Temple University, and then as a graduate student at the Curtis Institute of Music. He currently studies with Armen Boyajian. He serves on the Board of Trustees of both the National Foundation for Advancement in the Arts and Astral Artistic Services.

Please note: Biographies on the CSO website are based on the information that was most recently provided to the CSO by the artists or their representatives. More current information may be available on the artists' own websites or those of their representatives.